http://www.audiofarm.org/audiofiles en-us 40 Audiofarm Podcast Unclassifiable downloads at Audiofarm - Audio sharing Audiofarm Audiofarm Podcast Unclassifiable downloads at Audiofarm - Audio sharing Audiofarm Podcast Unclassifiable downloads at Audiofarm - Audio sharing Audiofarm info@audiofarm.org Audiofarm http://www.audiofarm.org/images/audiofarm_podcast.png http://www.audiofarm.org/audiofiles 190 190 Molls again in the indie genre, artists name is Tasty Trees again in the indie genre, artists name is Tasty Trees again in the indie genre, artists name is Tasty Trees http://filer.audiofarm.org/audiobank/Molls/1-what-we-all-don-t-know.mp3 Sun, 12 Oct 2008 00:25:13 +0200 no Molls its actually kind of in the indie genre, artists name is Tasty Trees its actually kind of in the indie genre, artists name is Tasty Trees its actually kind of in the indie genre, artists name is Tasty Trees http://filer.audiofarm.org/audiobank/Molls/0-spanish-action-hero.mp3 Sun, 12 Oct 2008 00:20:52 +0200 no trimzoni http://filer.audiofarm.org/audiobank/trimzoni/0-tim-drum-edit.mp3 Fri, 26 Sep 2008 23:49:57 +0200 no pmfb Collettivo Urbano - Rivoluzione Collettivo Urbano - Rivoluzione Collettivo Urbano - Rivoluzione http://filer.audiofarm.org/audiobank/pmfb/7-rivoluzione.mp3 Tue, 05 Aug 2008 03:06:50 +0200 no collettivo urbano abissi mentali pmfb Collettivo Urbano - Inibizioni Collettivo Urbano - Inibizioni Collettivo Urbano - Inibizioni http://filer.audiofarm.org/audiobank/pmfb/6-inibizioni.mp3 Mon, 04 Aug 2008 19:34:07 +0200 no collettivo urbano abissi mentali pmfb Collettivo Urbano - Sogno di una vita Collettivo Urbano - Sogno di una vita Collettivo Urbano - Sogno di una vita http://filer.audiofarm.org/audiobank/pmfb/5-sogno-di-una-vita.mp3 Mon, 04 Aug 2008 19:29:12 +0200 no collettivo urbano abissi mentali pmfb Collettivo Urbano - Lacrime di Giano Collettivo Urbano - Lacrime di Giano Collettivo Urbano - Lacrime di Giano http://filer.audiofarm.org/audiobank/pmfb/4-lacrime-di-giano.mp3 Mon, 04 Aug 2008 19:25:12 +0200 no collettivo urbano abissi mentali pmfb Collettivo Urbano - Abissi mentali Collettivo Urbano - Abissi mentali Collettivo Urbano - Abissi mentali http://filer.audiofarm.org/audiobank/pmfb/3-abissi-mentali.mp3 Mon, 04 Aug 2008 19:18:24 +0200 no collettivo urbano abissi mentali pmfb Collettivo Urbano - Pagina di diario Collettivo Urbano - Pagina di diario Collettivo Urbano - Pagina di diario http://filer.audiofarm.org/audiobank/pmfb/2-pagina-di-diario.mp3 Mon, 04 Aug 2008 19:05:36 +0200 no abissi mentali collettivo rubano pmfb Collettivo Urbano - Vampiri Collettivo Urbano - Vampiri Collettivo Urbano - Vampiri http://filer.audiofarm.org/audiobank/pmfb/1-vampiri.mp3 Mon, 04 Aug 2008 19:02:25 +0200 no collettivo urbano abissi mentali pmfb Collettivo Urbano - Abissi Mentali - Giullare nero Collettivo Urbano - Abissi Mentali - Giullare nero Collettivo Urbano - Abissi Mentali - Giullare nero http://filer.audiofarm.org/audiobank/pmfb/0-giullare-nero.mp3 Mon, 04 Aug 2008 18:43:27 +0200 no collettivo urbano abissi mentali giullare nero anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2801%29%20CUT%21%20PERFECT%21%20-%20Next%20Please%21.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2802%29%20CUT%21%20PERFECT%21%20-%20The%20Electric%20Ballalaika%20Massacre.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2803%29%20CUT%21%20PERFECT%21%20-%20Analog%20Angle%20vs.%20Digital%20Devil.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2804%29%20CUT%21%20PERFECT%21%20-%20Only%20Worst%20Options.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2805%29%20CUT%21%20PERFECT%21%20-%20No%20Drumkit%20For%20Brian%20Jr.%2C%20Anymore.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2806%29%20CUT%21%20PERFECT%21%20-%20Water%20For%20My%20Baby.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian "CUT!PERFECT!" "...but mr. wood, in last record there is so much noise and you can hear the edge of the sample snapin' and the voice is too obscure and it's too short. we should shoot it again!" "cut!!!perfect!!!" ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ cover: xylography, manufactured in kiel, designed and printed by brian http://cutperfect.podspot.de/files/%2807%29%20CUT%21%20PERFECT%21%20-%20That%B4s%20All%2C%20Folks.mp3 Fri, 02 May 2008 22:50:27 +0200 no hpcd004 cut!perfect! headphonica anonymous structures and connections come and go around without being asked, as threateningly fluctuating meanings to function-be connections from noises to quirling through. it's about to give constantly anheim the naked sounds in motorics to the free association, to see them as unsecured constructionsites, thus to admit freely flottening plotting systems in the stage of their incalculability of liquid coldness into realness. or to understand coincidence as a reserve. the spontaneous [urban]styling may thereby under any circumstances be subjected within found psycho acoustic expectations, because: "art does not come from can, but from must" A. Schoenberg structures and connections come and go around without being asked, as threateningly fluctuating meanings to function-be connections from noises to quirling through. it's about to give constantly anheim the naked sounds in motorics to the free association, to see them as unsecured constructionsites, thus to admit freely flottening plotting systems in the stage of their incalculability of liquid coldness into realness. or to understand coincidence as a reserve. the spontaneous [urban]styling may thereby under any circumstances be subjected within found psycho acoustic expectations, because: "art does not come from can, but from must" A. Schoenberg structures and connections come and go around without being asked, as threateningly fluctuating meanings to function-be connections from noises to quirling through. it's about to give constantly anheim the naked sounds in motorics to the free association, to see them as unsecured constructionsites, thus to admit freely flottening plotting systems in the stage of their incalculability of liquid coldness into realness. or to understand coincidence as a reserve. the spontaneous [urban]styling may thereby under any circumstances be subjected within found psycho acoustic expectations, because: "art does not come from can, but from must" A. Schoenberg http://www.archive.org/download/headphonica.hplive003/Various_Artists__Headphonica_Live_in_Arnstadt__01.mp3 Mon, 28 Apr 2008 18:59:00 +0200 no hplive003 headphonica live in arnstadt headphonica anonymous structures and connections come and go around without being asked, as threateningly fluctuating meanings to function-be connections from noises to quirling through. it's about to give constantly anheim the naked sounds in motorics to the free association, to see them as unsecured constructionsites, thus to admit freely flottening plotting systems in the stage of their incalculability of liquid coldness into realness. or to understand coincidence as a reserve. the spontaneous [urban]styling may thereby under any circumstances be subjected within found psycho acoustic expectations, because: "art does not come from can, but from must" A. Schoenberg structures and connections come and go around without being asked, as threateningly fluctuating meanings to function-be connections from noises to quirling through. it's about to give constantly anheim the naked sounds in motorics to the free association, to see them as unsecured constructionsites, thus to admit freely flottening plotting systems in the stage of their incalculability of liquid coldness into realness. or to understand coincidence as a reserve. the spontaneous [urban]styling may thereby under any circumstances be subjected within found psycho acoustic expectations, because: "art does not come from can, but from must" A. Schoenberg structures and connections come and go around without being asked, as threateningly fluctuating meanings to function-be connections from noises to quirling through. it's about to give constantly anheim the naked sounds in motorics to the free association, to see them as unsecured constructionsites, thus to admit freely flottening plotting systems in the stage of their incalculability of liquid coldness into realness. or to understand coincidence as a reserve. the spontaneous [urban]styling may thereby under any circumstances be subjected within found psycho acoustic expectations, because: "art does not come from can, but from must" A. Schoenberg http://www.archive.org/download/headphonica.hplive003/Various_Artists__Headphonica_Live_in_Arnstadt__02.mp3 Mon, 28 Apr 2008 18:59:00 +0200 no hplive003 headphonica live in arnstadt headphonica