http://www.audiofarm.org/audiofiles en-us 40 Audiofarm Podcast Jazz downloads at Audiofarm - Audio sharing Audiofarm Audiofarm Podcast Jazz downloads at Audiofarm - Audio sharing Audiofarm Podcast Jazz downloads at Audiofarm - Audio sharing Audiofarm info@audiofarm.org Audiofarm http://www.audiofarm.org/images/audiofarm_podcast.png http://www.audiofarm.org/audiofiles 190 190 Guittard Another tune that I wrote while attending the Musicians' Institute in Hollywood. Another tune that I wrote while attending the Musicians' Institute in Hollywood. Another tune that I wrote while attending the Musicians' Institute in Hollywood. http://filer.audiofarm.org/audiobank/Guittard/6-jazz-tune.mp3 Mon, 03 Nov 2008 09:00:18 +0100 no jazz-rock indie Guittard Tune I wrote while attending the Musicians' Institute in Hollywood. Tune I wrote while attending the Musicians' Institute in Hollywood. Tune I wrote while attending the Musicians' Institute in Hollywood. http://filer.audiofarm.org/audiobank/Guittard/5-swing-tune.mp3 Mon, 03 Nov 2008 08:58:32 +0100 no jazz-rock indie barringtonfinearts Rithum Machine Jazz Band. January 2008 "Riverscape" by Fred Sturm Rithum Machine Jazz Band. January 2008 "Riverscape" by Fred Sturm Rithum Machine Jazz Band. January 2008 "Riverscape" by Fred Sturm http://filer.audiofarm.org/audiobank/barringtonfinearts/2-riverscape-excerpt-.mp3 Mon, 29 Sep 2008 15:01:42 +0200 no rithum machine jazz band anonymous http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.archive.org/download/headphonica.hpcd034/hpcd034__louis_-_Jack_the_drummer_with_heavenly_eyes_01.mp3 Tue, 24 Jun 2008 11:27:53 +0200 no hpcd034 jack the drummer with heavenly eyes headphonica anonymous http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.archive.org/download/headphonica.hpcd034/hpcd034__louis_-_Jack_the_drummer_with_heavenly_eyes_02.mp3 Tue, 24 Jun 2008 11:27:53 +0200 no hpcd034 jack the drummer with heavenly eyes headphonica anonymous http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.archive.org/download/headphonica.hpcd034/hpcd034__louis_-_Jack_the_drummer_with_heavenly_eyes_03.mp3 Tue, 24 Jun 2008 11:27:53 +0200 no hpcd034 jack the drummer with heavenly eyes headphonica anonymous http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.archive.org/download/headphonica.hpcd034/hpcd034__louis_-_Jack_the_drummer_with_heavenly_eyes_04.mp3 Tue, 24 Jun 2008 11:27:53 +0200 no hpcd034 jack the drummer with heavenly eyes headphonica anonymous http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.myspace.com/lou3gua ______________ The Dharma Bum: But now I was three miles into the industrial jungle of L.A. in mad sick sniffling smog night and had to sleep all that night by a wire fence in a ditch by the tracks being waked up all night by rackets of Southern Pacific and Santa Fe switchers bellyaching around, till fog and clear of midnight when I breathed better (thinking and praying in my sack) but then more fog and smog again and horrible damp white cloud of dawn and my bag too hot to sleep in and outside too raw to stand, nothing but horror all night long, except at dawn a little bird blessed me. Jack Kerouac, The Dharma Bums 101-102. The Dharma Bum is a piece of music based on the writing of Jack Kerouac, particularly the novel "The Dharma Bums". It is a piece of music that attempts to deal with one of the recurring themes of Kerouac's writings, that of inner conflict and a personal spiritual quest, issues that are recurring in this novel of dualities. Samples All samples taken from the Verve Recordings 1990 CD album 'Readings by Jack Kerouac on The Beat Generation'. _______ Preface: in the tradition, always clarifying, always new and centuries old says Sing! Fight! Sing! Fight! Sing! Fight! &c. &c. Boosheee dooooo doo doooo dee doooo doooooooooo! DEATH T O THE KLAN! Amiri Baraka - "In the Tradition" The title of this extended piece comes from the Amiri Baraka poem "Preface to a twenty volume suicide note", though the piece deals not so much with this poem as it does with the life and work of the author. Basically, I think Baraka's poetic voice is unique and shows aspects of genius... on the other hand he's said some pretty controversial stuff... though at least he's never been anything but honest with himself and everybody else in saying exactly what he thinks... you make your mind up. I hope this makes some sense of what I was trying to do and maybe turns you on to Baraka. ______ Nausea: The title and inspiration for this piece is taken from the Jean-Paul Sartre novel of the same name. For the moment it's the jazz that's playing; there's no melody, only notes, a host of little jolts. They know no rest, an unchanging order gives birth to them and destroys them, without ever giving them time to recover, to exist for themselves. They run, they hurry, they strike me with a sharp blow in passing and are obliterated. I should quite like to hold them back, but I know that if I managed to stop one, nothing would remain between my fingers but a vulgar, doleful sound. I must accept their death; I must even will it; I know few harsher or stranger impressions. Jean-Paul Sartre, 'Nausea', 36-37. This passage of the novel was of great influence during the composition process, particularly for the final section, where the layering of the five separate bass parts is intended to portray this sense of nausea due to the rapid attack of notes and disorienting layering of complex polyrhythms. http://www.archive.org/download/headphonica.hpcd034/hpcd034__louis_-_Jack_the_drummer_with_heavenly_eyes_05.mp3 Tue, 24 Jun 2008 11:27:53 +0200 no hpcd034 jack the drummer with heavenly eyes headphonica benhammondmusic Lyrically this tune describes a budding 'perfect' relationship that occurs during an imperfect time. Musically it represents this conflict by superimposing a traditional jazz AABA structure over the top of the conventional Pop form (verse chorus verse chorus bridge, etc). Combined with a reggae-ish beat and a bebop Sax solo, the less than perfect timing of this romance is reflected in the off-kilter triplets 3/4 bar at the end of each chorus ("Not with me not quite yet...") Released in 2008 on "[Reasonably] Honest" by Ben Hammond. Visit www.benhammondmusic.com for more info and lyrics. Lyrically this tune describes a budding 'perfect' relationship that occurs during an imperfect time. Musically it represents this conflict by superimposing a traditional jazz AABA structure over the top of the conventional Pop form (verse chorus verse chorus bridge, etc). Combined with a reggae-ish beat and a bebop Sax solo, the less than perfect timing of this romance is reflected in the off-kilter triplets 3/4 bar at the end of each chorus ("Not with me not quite yet...") Released in 2008 on "[Reasonably] Honest" by Ben Hammond. Visit www.benhammondmusic.com for more info and lyrics. Lyrically this tune describes a budding 'perfect' relationship that occurs during an imperfect time. Musically it represents this conflict by superimposing a traditional jazz AABA structure over the top of the conventional Pop form (verse chorus verse chorus bridge, etc). Combined with a reggae-ish beat and a bebop Sax solo, the less than perfect timing of this romance is reflected in the off-kilter triplets 3/4 bar at the end of each chorus ("Not with me not quite yet...") Released in 2008 on "[Reasonably] Honest" by Ben Hammond. Visit www.benhammondmusic.com for more info and lyrics. http://filer.audiofarm.org/audiobank/benhammondmusic/0-worst-kind-of-perfect.mp3 Mon, 05 May 2008 18:52:00 +0200 no rock reggae jazz pop acoustic sax saxophone vocals singer anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2801%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2802%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2803%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2804%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2805%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2806%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2807%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2808%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2809%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? "X" the X marks the treasure spot on the map!!! cover: serigraphy, manufactured in kiel, designed and printed by brian by the way: what do the chromosomes of womankind, christmas and the number ten have in common? http://xmrxandxmrsxbrianx.podspot.de/files/%2810%29%20X%20-.mp3 Mon, 28 Apr 2008 19:07:40 +0200 no hpcd010 x headphonica anonymous http://www.archive.org/download/neo2006-09-28.new_earth_objects_live_at_gruenowski_jena_1/01-neo-28092006gruenowski-1.mp3 Mon, 28 Apr 2008 19:01:14 +0200 no hplive001 live at gruenovski - september 2006 headphonica