http://www.audiofarm.org/audiofiles en-us 40 Audiofarm Podcast Contemporary downloads at Audiofarm - Audio sharing Audiofarm Audiofarm Podcast Contemporary downloads at Audiofarm - Audio sharing Audiofarm Podcast Contemporary downloads at Audiofarm - Audio sharing Audiofarm info@audiofarm.org Audiofarm http://www.audiofarm.org/images/audiofarm_podcast.png http://www.audiofarm.org/audiofiles 190 190 operaeftos the dissonant future, pseudo-reality under the influence of c10h15n the dissonant future, pseudo-reality under the influence of c10h15n the dissonant future, pseudo-reality under the influence of c10h15n http://filer.audiofarm.org/audiobank/operaeftos/0-methamphetamin.mp3 Mon, 17 Nov 2008 16:17:54 +0100 no goth avantgarde classical orchestral symphonic anonymous to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion http://www.archive.org/download/headphonica.hplive008/M_Del_Zotto__M_Spanghero__Blind_Statement__01.mp3 Tue, 01 Jul 2008 14:40:54 +0200 no hplive008 blind statement headphonica anonymous to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion http://www.archive.org/download/headphonica.hplive008/M_Del_Zotto__M_Spanghero__Blind_Statement__02.mp3 Tue, 01 Jul 2008 14:40:54 +0200 no hplive008 blind statement headphonica anonymous to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion http://www.archive.org/download/headphonica.hplive008/M_Del_Zotto__M_Spanghero__Blind_Statement__03.mp3 Tue, 01 Jul 2008 14:40:54 +0200 no hplive008 blind statement headphonica anonymous to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion to improvise is like making a statement without knowing the matter of your speech but the mood; a "blind statement" that can be a strong assertion http://www.archive.org/download/headphonica.hplive008/M_Del_Zotto__M_Spanghero__Blind_Statement__04.mp3 Tue, 01 Jul 2008 14:40:54 +0200 no hplive008 blind statement headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2801%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Coward.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2802%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Babe%2C%20Babe%20Gimme%20Ya%20Luv.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2803%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Waiting%20For%20Whatever.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2804%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Gentle%20Flood.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2805%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Lord%2C%20Lady%2C%20Lovechild.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2806%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Dirty%20Joe.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2807%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Sir%20Roland.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2808%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Walter%20Highland.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2809%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20OceanicDiscoBots05%20%5BPreview%5D.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2810%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20The%20Rise%20And%20The%20Decay%20Of%20A%20Digital%20Alphabet.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2811%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Last%20Sunday.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2812%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Reverb%20Of%20A%20Girl.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? "LORD LADY LOVECHILD" lord made lady lady made lovechild lady made trouble lovechild made trouble lord's fault? http://lordladylovechild.podspot.de/files/%2813%29%20Lord%2C%20Lady%2C%20Lovechild%20-%20Yes%2C%20Thank%20You%2C%20Everything%20Is%20Fine%21.mp3 Mon, 28 Apr 2008 21:19:47 +0200 no hpcd006 lord lady lovechild headphonica anonymous 'Live at Heliogabal' is constructed by two principal patterns: one matter from my album 'Diferenciales' and one other from 'Songbook'. Both works are in progress, but the remixes, with other materials (early works, wolf variations, etc.) present true aspect for a global vision of my work. When I have to outline a curriculum or a biography, I always remember the madrilene artist Valcarcel Medina whose curriculum consists of writing his year of birth followed by all the numbers(figures) of the consecutive years up to coming to which would have at present. So mine it would be 1976-1977-1978 ...2007. I started in the world of the digital music about works in theatre and radio. My first serious work - or at least my first attempt of composing some pieces as a whole was in 2002: Otra broma (Another joke), an honoring to Erik Satie. I continued doing montages for radio and theatre, electroacustic and soundscape (from 2000 I have worked doing a personal sound archive with most of hundred recordings). And from 2006 I started being interested for the minimal, ambient and other rhythms most related to the dance music. 'Live at Heliogabal' is constructed by two principal patterns: one matter from my album 'Diferenciales' and one other from 'Songbook'. Both works are in progress, but the remixes, with other materials (early works, wolf variations, etc.) present true aspect for a global vision of my work. When I have to outline a curriculum or a biography, I always remember the madrilene artist Valcarcel Medina whose curriculum consists of writing his year of birth followed by all the numbers(figures) of the consecutive years up to coming to which would have at present. So mine it would be 1976-1977-1978 ...2007. I started in the world of the digital music about works in theatre and radio. My first serious work - or at least my first attempt of composing some pieces as a whole was in 2002: Otra broma (Another joke), an honoring to Erik Satie. I continued doing montages for radio and theatre, electroacustic and soundscape (from 2000 I have worked doing a personal sound archive with most of hundred recordings). And from 2006 I started being interested for the minimal, ambient and other rhythms most related to the dance music. 'Live at Heliogabal' is constructed by two principal patterns: one matter from my album 'Diferenciales' and one other from 'Songbook'. Both works are in progress, but the remixes, with other materials (early works, wolf variations, etc.) present true aspect for a global vision of my work. When I have to outline a curriculum or a biography, I always remember the madrilene artist Valcarcel Medina whose curriculum consists of writing his year of birth followed by all the numbers(figures) of the consecutive years up to coming to which would have at present. So mine it would be 1976-1977-1978 ...2007. I started in the world of the digital music about works in theatre and radio. My first serious work - or at least my first attempt of composing some pieces as a whole was in 2002: Otra broma (Another joke), an honoring to Erik Satie. I continued doing montages for radio and theatre, electroacustic and soundscape (from 2000 I have worked doing a personal sound archive with most of hundred recordings). And from 2006 I started being interested for the minimal, ambient and other rhythms most related to the dance music. http://www.archive.org/download/headphonica.hplive004/hplive004_een_pianist_-_01_Satie_variation_3_remixed.mp3 Mon, 28 Apr 2008 18:57:04 +0200 no hplive004 live at heliogabal - barcelona 26 sep 2007 headphonica anonymous 'Live at Heliogabal' is constructed by two principal patterns: one matter from my album 'Diferenciales' and one other from 'Songbook'. Both works are in progress, but the remixes, with other materials (early works, wolf variations, etc.) present true aspect for a global vision of my work. When I have to outline a curriculum or a biography, I always remember the madrilene artist Valcarcel Medina whose curriculum consists of writing his year of birth followed by all the numbers(figures) of the consecutive years up to coming to which would have at present. So mine it would be 1976-1977-1978 ...2007. I started in the world of the digital music about works in theatre and radio. My first serious work - or at least my first attempt of composing some pieces as a whole was in 2002: Otra broma (Another joke), an honoring to Erik Satie. I continued doing montages for radio and theatre, electroacustic and soundscape (from 2000 I have worked doing a personal sound archive with most of hundred recordings). And from 2006 I started being interested for the minimal, ambient and other rhythms most related to the dance music. 'Live at Heliogabal' is constructed by two principal patterns: one matter from my album 'Diferenciales' and one other from 'Songbook'. Both works are in progress, but the remixes, with other materials (early works, wolf variations, etc.) present true aspect for a global vision of my work. When I have to outline a curriculum or a biography, I always remember the madrilene artist Valcarcel Medina whose curriculum consists of writing his year of birth followed by all the numbers(figures) of the consecutive years up to coming to which would have at present. So mine it would be 1976-1977-1978 ...2007. I started in the world of the digital music about works in theatre and radio. My first serious work - or at least my first attempt of composing some pieces as a whole was in 2002: Otra broma (Another joke), an honoring to Erik Satie. I continued doing montages for radio and theatre, electroacustic and soundscape (from 2000 I have worked doing a personal sound archive with most of hundred recordings). And from 2006 I started being interested for the minimal, ambient and other rhythms most related to the dance music. 'Live at Heliogabal' is constructed by two principal patterns: one matter from my album 'Diferenciales' and one other from 'Songbook'. Both works are in progress, but the remixes, with other materials (early works, wolf variations, etc.) present true aspect for a global vision of my work. When I have to outline a curriculum or a biography, I always remember the madrilene artist Valcarcel Medina whose curriculum consists of writing his year of birth followed by all the numbers(figures) of the consecutive years up to coming to which would have at present. So mine it would be 1976-1977-1978 ...2007. I started in the world of the digital music about works in theatre and radio. My first serious work - or at least my first attempt of composing some pieces as a whole was in 2002: Otra broma (Another joke), an honoring to Erik Satie. I continued doing montages for radio and theatre, electroacustic and soundscape (from 2000 I have worked doing a personal sound archive with most of hundred recordings). And from 2006 I started being interested for the minimal, ambient and other rhythms most related to the dance music. http://www.archive.org/download/headphonica.hplive004/hplive004_een_pianist_-_02_Diferencial_I_remixed.mp3 Mon, 28 Apr 2008 18:57:04 +0200 no hplive004 live at heliogabal - barcelona 26 sep 2007 headphonica